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Writers, Directors, Producers, Film and TV buffs! Join me this coming Saturday, September 20th at 10am pst/1pm est for a discussion with writer/producer Michael Colleary (FACE/OFF, LARA CROFT TOMB RAIDER and others). It’ll be a fun, informative conversation about the craft and state of the industry. Oh, and it’s FREE! Sign…
propathscreenwriting.com
Join Us for a Free 90-Minute Q&A with Michael Colleary
ProPath Screenwriting is bringing you an exclusive live conversation with acclaimed screenwriter, producer, and educator Michael Colleary, hosted by Tim Albaugh
Tami Mims, Steven and 3 others1 Comment-
I’m in!
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https://www.davidkordanskygallery.com/exhibitions/derek-fordjour
davidkordanskygallery.com
Derek Fordjour - Nightsong - Exhibitions - David Kordansky Gallery
David Kordansky Gallery is a contemporary art gallery with locations in Los Angeles and New York, representing more than fifty artists and artist estates.
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Happy Friday! As some of you may know, I am a producer/consultant in the world of film and tv. I moderated the MetaReads for a few years at the Metaphor Club and consult at Pixar, Walt Disney Feature Animation and Netflix. I was Lawrence Ross’ instructor in the UCLA MFA Screenwriting program and am now an Executive Producer at Royal…
propathscreenwriting.com
Writing Workshops With Tim | ProPath Screenwriting
Writer, producer, and consultant Tim Albaugh has over 30 years of experience guiding writers to professional success with his highly acclaimed writing workshops
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I would HIGHLY recommend Tim’s classes. Like, couldn’t rec enough, and I mean that.
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Just finished watching Unknown Number and…uh…uh…
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Denzel is embracing his Black Old Man Don’t Give a Fuck era. Every interview is a version of…
“Fuck being a star. What’s that?”
“I only care bout God, so who are you?”
“I got money. You broke.”
“What I need to act for?”
“I’m a stage actor.”
“Sports sucks.”
“Why you here?”
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I’ll watch a movie just because he’s in it.
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The Gilded Age shows the importance of Black folks behind the camera. It’s the first period drama that has done a Black storyline right. It shows the world of colorism, class, and wealth within the Black community during the post-Civil War era, and does it seamlessly as it examines the same within the white Robber Baron class.
It also…
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This Season 3 was excellent!!! GREAT finale as well
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Was curious to know who are some of your most underrated artists/bands of the 80’s?
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Prefab Sprout. Loved them! Their album, “Two Wheels Good,” is a must-have.
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This is a really excellent doc that I suggest everyone check out. It goes way beyond entertainment and explores how groundbreaking it was for Ed Sullivan to feature Black performers on his show, as well as the pushback he got for it behind the scenes and publicly. It’s on Netflix now.
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Wait…howcomes you ain’t even tole me about this???
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Started watching this… my favorite quote so far from Ed is when talking about his parents. “They weren’t necessarily broad minded…. they were just sensible” when talking about their views on segregation/racism.
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Saw it a few weeks ago and it was very good. Ed Sullivan stood on business when he knew it would cost him those ad dollars and piss off Southern affiliates that aired his show.
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This is unforgivable to me. PBS expanded my world. From Sesame Street, to British period dramas, to my first Shakespeare, to cooking shows, home reno shows, etc. I learned so much with PBS and NPR, and this really hurts. I hate these people.
cbsnews.com
The Corporation for Public Broadcasting is a nonprofit that provides funds to public radio and TV stations, including NPR and PBS.
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theguardian.com
‘You can make really good stuff – fast’: new AI tools a gamechanger for film-makers
Instead of spending millions and taking years to complete, creative directors are producing high-grade work using the latest software, but critics voice copyright concerns
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On the one hand, I’m someone who never fears technology. It’s basically adapt or die. Like everything, this has good and bad. Bad? Taking someone’s work. Good? Lowering the barrier for telling stories. I have a feeling that Hollywood, like the music industry, is gonna be slow to adapt, but eventually will. Distribution is still gonna be the key.
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